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1. #ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE MANUAL#
2. #ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE FULL#
3. #ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE PRO#
4. #ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE SERIES#

Tired of the old Command C + Command V to duplicate your clips? For a quick duplication, simply hold the option key and drag a selected clip to the side to duplicate that clip. One keyboard shortcut you should know is the full-screen shortcut: the tilde key will maximize any window in Premiere, which helps if you would like a quick full-screen view of your program window. Now, you can access your tailor-made space even after you close down the software. Once you’ve customized your space, you can save it by going to Window > Workspace > Save as New Workspace. I’ll also add the Essential Graphics tab over there for quick graphic access. On the right side, I put the Lumetri tab and the Effects tab together so they’re easily accessible during an edit. The three windows that I tend to use the most are the Lumetri Color tab, the Effects tab, and the Effect Controls tab. This is the normal edit page that most editors use. Your Premiere workspace is critically important to the speed of your edits. Now, each folder will have its own corresponding color in your timeline, which will help you keep track of each type of asset, especially if you have many types of audio and video clips from different cameras and recorders. Highlight the clips in each bin, and select a color from the label tab.

To organize even further, try color-coding your clips. So to make things easier, organize your assets during ingestion to your hard drive, then when you need to import, you can just drag the folders in. You don’t have to group-select each clip to import them all - you can drag the entire folder into Premiere, and it will automatically turn it into a labeled bin. A little thing I learned to keep it clean from the moment you start your project is by importing folders directly into Premiere. If you’re like me, you have trouble keeping your project window organized.

#ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE FULL#

If you’d like to make a bin full of synced clips, you can select your synced clips, right-click, select group, and then drag those merged clips to a new bin. Once you click the sync button, your tracks will sync.

Remember, your camera needs scratch audio for this to work, so make sure you’re recording onboard audio before you shoot. The sync window will pop up, and from there, select the audio button to sync both tracks. Right-click, and then select Synchronize. I was doing that until I found the much-easier route: the synchronization button.ĭrag your audio and video clip into the timeline, then select both.

#ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE MANUAL#

Be sure to keep your eye on the Creative Cow site, or subscribe to their RSS feed, as there are more videos to come in the series.When I first started using clips recorded on a separate audio and video system, I would always sync each clip individually with a clapper, and use the manual process of lining the clips up correctly.

#ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE PRO#

These videos are just the tip of the iceberg and already they have illuminated various features I didn't know about in Adobe Premiere Pro CS6, such as the ability to change what colors the program considers to be a highlight, midtone, or shadow when color correcting, the Lightworks-like JKL Trimming, and a way to change the playback speed of a clip that looks to be more intuitive than the methods used in Final Cut Pro 7.

#ADOBE PREMIERE ELEMENTS 14 LEARNING CURVE SERIES#

Here are some videos from the series to get you started: The videos cover a multitude of topics like the basic interface, using the various editing tools, transitions, effects, titles, and most recently color correction and grading. Over at Creative Cow, Andrew Devis has been hard at work creating a slew of videos for his ongoing series of Adobe Premiere Pro CS6 tutorials.